My gear is built around clarity, punch and versatility. I use a combination of modern and vintage-inspired basses, clean amplification and selected effects to create sounds for songwriting, recording and live performance.

Every piece of gear here is part of my sound as Just a Girl with a Bass.

BASSES

In‑room photo of Lottie’s Yamaha BB235 bass guitar on a stand.

Yamaha BB235 5‑string, used for modern tones and whenever I need that extra low end.

In‑room photo of Lottie’s Squier 40th Anniversary Precision Bass with gold hardware.

Upgraded Squier 40th Anniversary Precision Bass, fitted with Fender Custom Shop ’62 pickups — my main instrument for recording.

In‑room photo of Lottie’s green Epiphone Embassy bass guitar on a stand.

Epiphone Embassy — my punchy, mid‑forward bass for indie, rock and band rehearsals.

AMPLIFIERS

In‑room photo of Lottie’s Fender Rumble 15 practise amp.

My Fender Rumble 15 — my everyday practice amp at home, perfect for quiet sessions

In‑room photo of Lottie’s vintage Trace Elliot 7125 GP7 combo and 2103H cab.

Trace Elliot 7125 SMC & 2103H

My Trace Elliot 7215 SMC combo with the 2103H cab — my loud rehearsal setup for band practice and bigger tones.

PEDALS

Temple Audio Duo 17 pedalboard — compact, lightweight and keeps my pedals organised, powered and ready to go.

Polaroid photo of the Laney Digbeth Preamp Pedal from Lottie’s pedalboard.

Laney Digbeth preamp — the core of my clean tone and the heart of my pedalboard.

Polaroid photo of the Laney Custard Factory Bass Compressor Pedal from Lottie’s pedalboard.

Laney Custard Factory compressor — evens out my playing and adds punch.

Polaroid photo of the Boss OC-5 Octave Pedal from Lottie’s pedalboard.

Boss OC‑5 — my octave pedal for deeper bass lines and synth‑style sounds.

Polaroid photo of the Comodoro Audio Rate Bass Pedal from Lottie’s pedalboard.

Comodoro Audio Rat Bass — my gritty distortion pedal for rock, indie and heavier songs.

Polaroid photo of the Ibanex Modulation Delay 3 DML20 Pedal from Lottie’s pedalboard.

Ibanez DML20 — my vintage delay pedal for chorus‑like textures and ambient repeats.

Polaroid photo of the Boss TU-3 Chromatic Tuner Pedal from Lottie’s pedalboard.

Boss TU‑3 — my tuner pedal that keeps everything in tune on stage and in rehearsals.

Every instrument, pedal and amplifier on this page plays a role in my sound.

From clean, articulate bass tones to synth-inspired textures and driven rock sounds, this is the gear I use for songwriting, rehearsals, recording and live performance.

Just a Girl with a Bass is the artist name of UK bassist & songwriter Lottie, and is not related to the No Doubt song “Just a Girl.”